Dub Turbo: What You Need to Know

is dub step turbo cheap

Dubstep is a trendy, innovative electro-dance sound that has minimalistic words. As is the wonders of music, dubstep brings out the creativity of its listeners. That is why it is no surprise at all that many dubstep followers want to create their own version of this catchy, upbeat music.

If you are wondering how to make beats, you need not look farther!

This in-depth dubturbo review will shed light to your search for making the best quality dubstep music.

Crafting your own beats may not seem as easy as it sounds. Professionals use state-of-the-art technology to produce the best music. This task may seem daunting to beginners especially when there are vast choices available.

Most digital production software is not only pricey but also complicated to utilize. You do not want to spend thousands of dollars on a beat making software that will just leave you frustrated and at a loss on where to begin.

Dub Turbo solves these two main complications in producing your own beats. It is easy to be more creative and showcase your originality when you can naturally operate the tools you are using. This beat making software that you can easily download online anytime anywhere sounds professionally made, thanks to its 44.1K wave file. Unlike music made through mp3 format, Dub Turbo gives depth, sharpness, and clarity to your music. Say goodbye to garbled sounds and expect to produce the kind of music that gives spot-on sound to each instrument.

For novices, Dub Turbo is the number one beat maker to help you launch Rap, Dance music, or R&B. The user-friendly interface is as convenient as it is powerful.

Here are the features you can expect in a Dub Turbo Software:

Four-Octave Keyboard

Fast and simple to operate, this highly useful feature allows users to control two out of four octaves with your very own keyboard. This means that Musical Instrument Digital Interface, better known as MIDI, a conventional but rather complicated controller, need not be used.

With thousands of choices available on your fingertips, the Four-Octave Keyboard of Dub Turbo enables you to produce the rhythm that resonates best with your beats. Keyboards, bass, guitars, and vocal samples are just a few of the testers available to gratify every musician’s creativity.

Drum Machine Panel

Compare, mix, and match the sound of your drums with the Drum Machine Panel of Dub Turbo. Several online beat makers allow you to produce music without the flexibility of editing the sounds afterwards. Even after you are done, you can improve your beats and add that unforgettable flourish by changing the drum kit used.

With hundreds of drum samples to select from, producing your beats which showcases your taste and music signature best is now easier to do.

Sixteen-Track Dub Turbo Sequencer

The focal bit of the Dub Turbo software, this sixteen-track sequencer gives users the ability to lay down their beats with a simple point-click interface. You can program your chord sequences, play with the bass riffs and tinker with floating arpeggios all you want. This sixteen-track feature also includes lead synthesizers, pad sounds and drum classifications which can be controlled so you can produce the beats you are looking for.

To help users customize their DubTurbo download, the Sixteen-Track Sequencer feature can also be opened through keyboard shortcuts. This handy feature makes long-time usage not only possible but also simpler.

Dub Turbo may have been designed with the novice beat maker in mind but savvy musicians will also appreciate its efficiency. The software can work with the interface and beat-making tools in music studios. Integrating this software easily gives professionals the advantage of a wider array of techno, R&B, hip hop and many more music genre.

Whether you are starting from scratch or remixing a sound, Dub Turbo allows novices and professionals alike to produce studio-quality beats. Regardless of one’s recording skills or experience, Dub Turbo makes digital sound available because of its very reasonable price.

Many critics have been openly doubtful with Dub Turbo at the start. Because it is less costly compared to other tools, many beat makers think its low price also equalled to low quality. However, Dub Turbo proves with every download and use that a high tag price and recording experience need not be prerequisites when you want to make music with computer.

Dub Turbo even includes free video tutorials that take the user step by step on how to make dubstep music. The instructive videos introduce first-time beat makers into recording their craft and helps professionals integrate their knowledge and experience to create the music of their choice.

Making your own beats has never been easier. With Dub Turbo, you can lay down your music style within the comforts of your own home! With the accessibility, affordability and user-friendly features Dub Turbo offers, it’s no wonder why Dubstep music continues to flourish.

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Cyberoptix - Geisha

Cyberoptix – Geisha

No need to start asking yourself anything because today I’m accepting outside influences so the “Geisha” track from Cyberoptix is up for a new review. Melodic Dubstep at its finest as a close friend recommended the cut. Let’s see if things add up the same for me and also, feel free to share some thoughts of your own.

I know that this track can be placed under the well debated “brostep” label and there’s only a small contrast between the wobble bass and the rest of its smooth melodic sounds but I’m hoping “Geisha” will dodge the bullet and place higher on everyone’s scale. I didn’t really feel it the first time I auditioned but I can say that I’m enjoying the song after a few spins.

“Geisha” doesn’t waste any time developing your basic 2-Step rhythm and a hard Kick builds up the main melody with a steady Snare. There’s also a light Bass sound attached to the Kick so the Intro is maintained pretty interesting. The first extravagant element found in this song is the Asian-style flute and I would say it’s a good sound sticking to the Arpeggio synthesizer completing the main lead. I would also like to mention that Cyberoptix maintained a good theme up until now so let’s see what happens next.

The well awaited wobble Bass makes an appearance and the rhythm doesn’t stop for the rest of the song. I don’t really get this type of song development but it works out just like a hypnosis effect even if after a while it becomes random background music. Halfway in the song there’s a drum break making its way and that break is actually identical to the song’s Intro but after that a new Kick is placed for something similar to a new Bass drop.

If you pay attention you can see that the Bass drop is divided into 8 Bars and the sound is nothing really new but some soft changes are added so if you’re really patient with your rhythms, the record won’t get boring. To keep things short “Geisha” would kill if it was exposed to a heavy Dubstep crowd with a 3 minute cut but leaving the song as it is, it might be just too much. I like the song and I’m definitely feeling it but I wouldn’t go for more than one spin per week. Waiting on your feedback about the release.


Western accessories

Koan Sound – Trouble in the West

KOAN is a name that’s been stuck in my head since the “Max Out” EP released a few years ago. Of course, the 4 tracks project gained notoriety after other artists like Skrillex, Gemini and Feed Me gave it a big thumbs up but Rusko was actually the one who gave a big boost to KOAN way before anyone officially heard this song. Apparently the Dub Police pioneer played the tune at a big party and everyone went crazy. Like in (many) other situations, the video with Rusko playing it live was the only proof the song actually existed. This came with some great publicity for the original artist and the label so there you have it: the official release.

“Trouble in the West” starts with an acoustic themed guitar, some padding and a relatively short build-up. The main Kick doesn’t over react with the Reverb and that puts the spotlight on the Bass line when the drop takes place. The song is proportioned a bit weird because the main contrast seems to be distributed in the song’s Intro. The first drop comes in pretty weak and unfortunately the second one doesn’t bring anything new even if everything blends in pretty sweet. The difference between the two elements is the Pad distribution and the second drop comes with some different sound effects. “Trouble” in the West” is actually manages to remain pretty fresh even if the structure is somehow basic. The wobble is back after this part and the texture remains thin.

After this stage a Bridge manages to catch some life even if it’s a bit vague in the beginning. However a set of Bells gives this part a special feeling and until now I think the whole song managed to stick to its “authentic” label. Some fresh Pads follow and again, “Trouble in the West” manages to stay pretty fresh with the effects and the whole build-up. The Bridge is followed by a new drop but this time a new melody takes place. I’m really happy to mention that this time things take a better turn around and everything develops better. Different Filter, different phrases and everything sounds better. Just hit play on the song and you’ll have another surprise after this part.

Don’t jump into a short notice conclusion because the song doesn’t have anything to do with Brostep. Sit back and enjoy the music and stop making sub-genders for sub-genders.

Bare - Fine Day (remix)

Bare – Fine Day (remix)

Bare is not a recent discovery for me but he’s definitely review material. Even if it’s not a popular song and we’re not talking about a mainstream artist, the ”Fine Day” remix still has enough power in my book to be promoted on our website. The initial song from Miss Jane was a Dance tune and what you’re really facing is a fine Dubstep spin. With this being said let’s see how everything adds up in our review below.

Considering that the initial sample range came from an old Dance song, this remix is most likely a bootleg. That means Bare did the remix without the original artist’s approval but you can probably sense that is not a big deal anymore because today’s music comes with a lot of bootlegging, sampling and remixing. A documentary about one of the initial Cortex (French Jazz band) members was released yesterday and he said that he still feels famous today because half of the current Hip Hop scene is sampling his old music.

I only placed Bare’s remix as a bootleg because it’s actually something noticeable. I’m saying this because the artist clearly didn’t deliver the samples to Bare for the execution and he probably had to get around and chop everything up to create the final song. Getting the sounds you desire often comes with reproducing them and that is definitely some hard work. Anyway, back go our review.

The “Fine Day” remix starts with a combination between snippets from the original version and additional elements implemented by Bare. A very noticeable sound is the synth and I think this is placed to cover up the background noise from the initial sample. A Kick pattern speeds everything up and you get the feeling a drop is about to take place but a smooth voice actually makes an appearance. Yes, this is the original song and this is how mellow it actually sounds. Don’t expect too much because this is just a build-up and the first drop is about to take place.

Not your usual drop either because the sound bank is definitely different than usual for this specific segment. This is why I like upcoming producers to be honest. They bring in something new to the game every time they make a track. The effect hub is pretty wealthy, the distribution is good and the overall sound doesn’t disappoint. That’s it! Just hit play if you didn’t already.